The making of the third new album since Pixies reformed in 2004 was cold on the bones, but warm on the marrow.
After three decades beset with upheavals, splits, trials, and tribulations, Pixies was finally a band at ease with itself. Their first era - when Charles Thompson IV returned from a student exchange trip to Puerto Rico, dropped out of college, renamed himself Black Francis and, in January 1986, convinced his ex-University of Massachusetts Amherst roommate Joey Santiago to start a band with him - redefined alternative rock and set the dynamic blueprint not just for grunge but underground guitar music for decades to come, but it was as fiery and turbulent off-record as on.
The combination of Francis’s rabid roars and saccharine pop babbles, Santiago’s rattlesnake guitar squirms, Dave Lovering’s brutalist drumming, and Kim Deal’s cat-purr basslines had made them influential, era-defining indie rock giants.